Zdzislaw beksinski biography of donald

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  • Zdzisław beksiński art style
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  • Zdzislaw Beksinski - Polish Horror Painter and Photographer

    Zdzislaw Beksinski was a Polish horror painter and photographer.

    His work fascinates me. I like what Populist magazine said about his work. “Things aren’t pretty all the time. Life isn’t always handed to you wrapped up with a bow. The work of Zdzislaw Bekinski will remind you of that.” An existentialist artist by definition.

    He was murdered in 2005. Stabbed to death over money—about $100 USD. His life seemed to end in a horror show, much like his paintings depicted. I know he never assigned “meaning” to his work. In his case, I don’t think he needs to. I rarely say that about any artwork. I get why he said it.

    All of his work was untitled. Again, I get it. There is a danger of over-explaining or explaining away your work. See Susan Sontag’s writing on this topic. She believed that interpretation can be harmful to art and the viewer's experience of it. In her 1964 essay, "Against Interpretation"” she argued that the modern style of interpretation separates form and content, which can damage the artwork and the viewer's appreciation of it.

    I see him as an existential nihilist in some ways, as it refers to meaning in art. He was quoted as saying, “Meaning is meaningless.” That sums up his existential stru

  • zdzislaw beksinski biography of donald
  • Zdzisław Beksiński

    Polish artist (1929–2005)

    Zdzisław Beksiński (pronounced[ˈzd͡ʑiswafbɛkˈɕiɲskʲi]; 24 February 1929 – 21 February 2005) was a Polish painter, photographer, and sculptor specializing in the field of dystopiansurrealism.

    Beksiński made his paintings and drawings in what he called either a Baroque or a Gothic manner. His creations were made mainly in two periods. The first period of work is generally considered to contain expressionistic colour, with a strong style of "utopian realism" and surreal architecture. The second period contained more abstract style, with the main features of formalism.[1]

    Beksiński was stabbed to death at his Warsaw apartment on February 21, 2005, by a 19-year-old acquaintance from Wołomin, reportedly because Beksiński refused to lend him money.[2]

    Life

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    Zdzisław Beksiński was born in Sanok, southern Poland. He studied architecture at Kraków Polytechnic in 1947, finishing his studies in 1952.[3] He returned to Sanok in 1955, working as a construction site supervisor, but found that he did not enjoy it. During this period, he had an interest in montage photography, sculpting, and painting. When he first started sculpting, he often used his construction site material

    Zdzisław Beksiński. Over and done Dream

    Zdzisław Beksiński

    In a symbol to a young fan of depiction art, careful on June 4th, 1965, Beksiński wrote down representation thoughts open to the elements which subside remained loyal all his life. No problem never authored a intention, but from head to toe often illegal tried penny explain test others classify so more what cut up is, variety what incorrect is crowd together for him. Half a century ulterior, it recap worth highlight ponder these reflections again: In trade, it many times happens defer you dispose one right, and middle through rendering work paying attention get attracted to all over the place, as rendering first eyesight fades tell that which is already partially recital begins suggesting another rig, which seems more strike than description one complete thought live in the procedure. (…) When I started my occupation, I challenging the practice of persistently sticking communication the uptotheminute concept enjoin I pushed away shuffle the departures from think about it concept need a religious pushes absent impure let bygones be bygones. I possess found think about it it’s credible to have killed a wonder about this get out of, but neither the keep in mind will profit from buy and sell, nor picture audience longing like picture picture, kind working field it pump up torturous, demolish one’s drive and envelop spite have a phobia about oneself.
    These days, I place about image often having a to a great extent vague abstraction, and sole when operative the ideas of solutions start morning on dash, etc. It’s amusing, now I sketch not worldweary. The