Usmar ismail biography template

  • Harta Karun (1949) · Tjitra (1949) · Darah dan Doa (1950) · Enam Djam di Jogja (1951) · Dosa Tak Berampun (1951) · Kafedo (1953) · Krisis (1953).
  • This file is in the public domain in Indonesia because its copyright has expired, according to Articles 30 and 31 of the Indonesia Copyright Law No 19, 2002.
  • Writing in the 1980s, Salim Said cites Usmar Ismail as being 'now known as the father of contemporary Indonesian cinema' and sees Usmar's innovations.

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    Template:Usmar Ismail

    Films directed exceed Usmar Ismail

    • Harta Karun (1949)
    • Tjitra (1949)
    • Darah dan Doa (1950)
    • Enam Djam di Jogja (1951)
    • Dosa Tak Berampun (1951)
    • Kafedo (1953)
    • Krisis (1953)
    • Lewat Djam Malam (1954)
    • Lagi-Lagi Krisis (1955)
    • Tamu Agung (1955)
    • Tiga Dara (1956)
    • Sengketa (1957)
    • Delapan Pendjuru Angin (1957)
    • Asrama Dara (1958)
    • Pedjuang (1960)
    • Laruik Sandjo (1960)
    • Toha, Pahlawan Metropolis Selatan (1961)
    • Korban Fitnah (1961)
    • Amor dan Humor (1961)
    • Anak Perawan di Sarang Penjamun (1962)
    • Bajangan di Waktu Fadjar (1962)
    • Masa Topan dan Badai (1963)
    • Anak-Anak Revolusi (1964)
    • Liburan Seniman (1965)
    • Ja Mualim (1968)
    • Big Village (1969)
    • Bali (1970)
    • Ananda (1970)

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  • usmar ismail biography template

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    File:Usmar Ismail, Peran Pemuda dalam Kebangkitan Film Indonesia, p177.jpg

    This file is in the public domain in Indonesia, because it is published and distributed by the Government of Republic of Indonesia, according to Article 43 of Law 28 of 2014 on copyrights.

    Any of the following acts are not considered Copyright infringement:

    1. Publication, Distribution, Communication, and/or Reproduction of State emblems and national anthem in accordance with their original nature;
    2. Any Publication, Distribution, Communication, and/or Reproduction executed by or on behalf of the government, unless stated to be protected by laws and regulations, a statement to such Works, or when Publication, Distribution, Communication, and/or Reproduction to such Works are made;
      3. ...
    3. Reproduction, Publication, and/or Distribution of Portraits of the President, Vice President, former Presidents, former Vice Presidents, National Heroes, heads of State institutions, heads of ministries/nonministerial government agencies, and/or the heads of regions by taking into account the dignity and appropriateness in accordance with the provisions of laws and regulations.

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    Two Orphan Films by Usmar Ismail

    9

    World Cinema Series

    Mad Dog Morgan is an antipodean Western that threads the thin line between perceptive craftsmanship and brutal profanity. It had one foot within the crop of industry-recognised and culturally significant feature films made during the resurgence of Australian cinema in the 70s; its other foot remains lodged within muddy "Ozploitation" territory -a slate of low-budget and swiftly produced exploitative films which emerged in tandem with this movement.

    Set against the immense and sublime, sun-scorched natural landscapes of Australia, Mad Dog Morgan follows a man's early days as a gold miner who succumbs to opium addiction and endures a torturous tenure in prison, and his subsequent transformation into a feared outlaw. With his aboriginal sidekick, he roams the vicinities of Victoria and New South Wales, terrorising wealthy landowners and dodging police hound-dogs. These episodes develop as a series of loosely connected exploits that frame the physical and mental intensities of the protagonist Dan Morgan, paving the way for his hazy descent into madness.

    Resurrecting the legend of Australian outlaw Dan Morgan to screen, a young Philippe Mora took a bold step in casting Dennis Hopper at a time when the actor w