Pm tenore biography of rory

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    Introductory note:

    The primary focus of the biographical register ismusical personnel first active before the end of 1860, with a secondary focus on members of their circles - families, pupils, colleagues, and other important contacts - first active after 1860.

    Beyond that, there has been no systematic attempt to deal with musical personnel first active after 1860, and the coverage is selective.

    A major upgrade of the contents of this page was completed in August 2021, and newly added documentation (including genealogical data) and Trove tagging now brings the page content up to the end of 1860 close to completion.


    Only such biographical information as can be confirmed from standard national databases or original documentation presented is entered at the head of each person entry in this page. Where no certain evidence of a person's birth year has yet been identified, the assumption is that we do not and cannot yet know with sufficient certainty to propose one. Years of birth or death, and sometimes also names and spellings of names, thus sourced and presented here, will often differ more or less substantially from those given (but often merely hazarded) in standard Australian and international bibl

    The Terrific Jared Mell!

    Jared Mell’s story reads somewhere between an episode of the OC and Easyrider (think booze, weed, good times and some very bad ones), and gets extra points from the fact he funds his adventures from his gig painting houses for Al Knost’s dad back in Newport. You want some of his juice? Stab thinks you’ll like the taste. 

    Interview by Jed Smith

    Stab found Jared in Biarritz for an experimental longboarding event (think art installations, six surfers to a room, booze, weed, sex etc) and over the course of an hour told us about a troubled adolescence in which he was arrested for beating up his mum; the patriarch of the family he never had, best bro Alex Knost; a sexual philosophy not dissimilar from Dominique Strauss Kahn’s; surf culture; and financing his dream one undercoat at a time.

    Stab: Why do you surf?
    JM: I wasn’t into surfing until I was 14 because I wanted to go in surf class at school. I was, like, fuck school, I’d rather hangout and surf at the beach. I was really into sports when I was younger. My mum wasn’t into surfing and my dad was a musician.

    How did growing up around them affect you? My dad left my mum when I was two so I’d go visit him for a couple of months a year. When I did see him it made me happy that the

  • pm tenore biography of rory
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