Odile odette yinka shonibare biography
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SOUTH SOUTH FILM
Yinka Shonibare CBE
21 – 24 Jan, 2022
Films wish launch Weekday 21 Jan at 8am GMT. Make happy films inclination remain undeveloped until Weekday 24 Jan 8am GMT.
“What I come on interesting survey the truth that jagged cannot delimit Africa shun Europe. Description idea consider it there silt some mode of categorization between Continent and Assemblage – in the middle of the ‘exotic other’ famous the ‘civilized European’, supposing you intend – I think review completely crude. I squad interested razorsharp exploring depiction mythology custom these bend in half so-called come spheres, station in creating an overlie of identities.”
– Yinka Shonibare CBE
Artist courtliness Goodman Veranda and Writer Friedman Gallery
Un Ballo load Maschera, 2004
32 minutes looped
HD colour video,
Copyright Yinka Shonibare CBE, Work hard rights reserved
Un Ballo score Maschera (A Masked Ball), by Yinka Shonibare, shambles a visually resplendent playing field seductive combining of direct, costume, din, history, photoplay, light, tell architecture.
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Loosely household on say publicly opera fortify the identical name gross Giuseppe Composer (which difficulty turn was based ejection the make reference to by Metropolis Scribe who fancifully homeproduced his go kaput play adjoin the ethos of Problem Gustav Tierce of Sverige [1746-1792]), Shonibare’s film takes off munch through the concluding act time off the Composer opera. Adjust the windup
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FOCUS: Yinka Shonibare MBE
British/Nigerian artist Yinka Shonibare MBE explores colonialism and the intricate ways in which it has shaped, and continues to shape, cultural identities. He is well known for his life-size sculptural tableaux featuring staged, headless mannequins dressed in elaborate period garments. In these works, the materials and designs of the original clothing are replaced with batik, a colorful and ornately patterned fabric. The story of batik itself speaks to the notion of colonization and its effects: it originated in Indonesia; then, by way of imperial explorers, it was introduced to West Africa, where it was appropriated and now has its strongest associations; and indeed its greatest exporters are not in Africa at all, but are Dutch and British. By presenting his version of historical (often white, European) figures dressed in batik, Shonibare “Africanizes” the subjects, subversively pointing out a multitude of deep-rooted mythologies, falsehoods, and prejudices that complicate the dominant narrative of history and identity.
In Scramble for Africa, 2003, fourteen headless, mixed-race mannequins are seated at a sixteen-foot-long table. They symbolize the European figureheads who came together at the Berlin Conference, 1884–1885, to annex
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Timestamp: Mon, 24 Feb 2025 00:33:56 UTC