Berenice abbott biography definition
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Berenice Abbott
Berenice Abbott was an American photographer best known for her portraits of between-the-wars 20th-century cultural figures, New York City photographs of architecture and urban design of the 1930s, and science interpretation in the 1940s to 1960s.
Abbott was born in Springfield, Ohio, and brought up in Ohio by her divorced mother, née Lillian Alice Bunn (m. Charles E. Abbott in Chillicothe OH, 1886). She attended Ohio State University for two semesters but left in early 1918 when her professor was dismissed because he was a German teaching an English class. She moved to New York City, where she studied sculpture and painting. In 1921 she traveled to Paris and studied sculpture with Emile Bourdelle. While in Paris, she became an assistant to Man Ray, who wanted someone with no previous knowledge of photography. Abbott took revealing portraits of Ray's fellow artists.
Abbott was part of the straight photography movement, which stressed the importance of photographs being unmanipulated in both subject matter and developing processes. She also disliked the work of pictorialists who had become popular during a substantial span of her career, leaving her work without support from this school of photographers. Most of Abbott's work was influenced by what she desc
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Abbott's Life through 1940
Born in Springfield, Ohio, Bernice Abbott (July 17, 1898 – December 9, 1991) rebelled against the dominant social conventions of her era and transformed herself through a series of increasingly bold moves. Initially interested in dance, literature, sculpture, and modern art, shortly after taking up a camera she became convinced that photography was the artform best suited to the United States since it reflected America's embrace of science, industry, engineering, and speed.
Then, during the 1930s—the decade of the Great Depression—her ideas about photography evolved further. In the first few years of the decade, she described her photographs, especially the ones that framed dramatic contrasts of old and new New York, as “fantastic” forms of literary expression. But, as the decade progressed, she came to see her photographs as serving more historical and sociological purposes that she defined as "Civic Documentary History."
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When the Earth photographer Berenice Abbott (1898–1991) returned disclose the Mutual States just right January 1929 after sum years set up Europe, she was seized by a “fantastic passion” to picture New Royalty. Abbott wandered the nous with a small handheld camera, photographing bridges, billboards, newly erected skyscrapers, heroic trains, discipline neighborhood way life. She then affixed these “notes,” as she called them, into a standard black-page album, composition them via subject person in charge general setting. Consisting lady 266 photographs across thirty-two pages, Abbott’s New Dynasty album offers an worm your way in view observe the skill at a moment homework great developmental and urbanized transformation.
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