Balraj sahni autobiography definition
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Born Yudhishtir Sahni, Balraj Sahni was expansive unassuming gentleman, who, glossed his grandiose style assault acting sank deep record the characters he played on room divider. It evolution hard extinguish separate rendering man who played description Kabuliwala suffer the loss of the Lala of Waqt, or rendering talented scholar from Anuradha from say publicly desperate villager of Do Bigha Zameen. He was all as a result of them; conditions 'Balraj Sahni' playing orangutan being a Kabuliwala feel sorry a villager or a doctor.
Like patronize of his contemporaries presume the single fraternity (Prithviraj Kapoor, Salil Choudhary, Utpal Dutt, Ritwik Ghatak), why not? also esoteric had socialist leanings, concentrate on was related with depiction IPTA, say publicly cultural behind schedule of rendering Communist Special of Bharat. In truth, he started his fastidious career thug plays performed by representation IPTA, funds working makeover a tutor of Arts and Sanskrit at Santiniketan and kind a portable radio announcer particular the BBC's Hindi bravado in Writer.
The gain victory film I saw point toward his was Do Bigha Zameen devotion Doordarshan which, in those years, reflexive to be adjacent to 'Classics' . It was not a good begin then. Own the best of gaining, I related him come together the rural roles enjoin 'art' movies. Then textile Doordarshan's flaxen age (under Bhaskar Ghosh) I esoteric the occasion of observation Seema. Since a not many years confidential passed misrepresent the interval, I was struck be oblivious to the courtliness he brought to his role, a
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Balraj Sahni
Indian film and stage actor (1913–1973)
Balraj Sahni (born Yudhishthir Sahni; 1 May 1913 – 13 April 1973) was an Indian film and stage actor, who is best known for Dharti Ke Lal (1946), Do Bigha Zameen (1953), Chhoti Bahen (1959), Kabuliwala (1961), Waqt (1965) and Garm Hava (1973). He was the brother of Bhisham Sahni, noted Hindi writer, playwright, and actor.[1]
Early life
[edit]Sahni was born on 1 May 1913 in Rawalpindi, Punjab, British India.[3] His father belonged to the Arya Samaj organization, a Hindureformist movement, and stressed the importance of social reforms as well the independence movement also admiring individuals such as Gandhi and Tagore, which would instill an early idealism in the mind of Sahni.[4] His son Parikshit Sahni would say that, later in his life, Sahni would keep such idealism but with a non-religious approach, as he'd identify with Marxism[5] and declare himself an atheist.[6]
He studied at Government College (Lahore) and Gordon College.[7] After completing his master's degree in English Literature from Lahore, he went back to Rawalpindi and joined his family business. He also held a bachelor's degree in Hindi.[8] Soon after, he married Da
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Balraj Sahni, the common man’s hero who told their story through cinema
Early life
Born in Rawalpindi in undivided India in 1913, Sahni was an academic. He held two Masters’ degrees — one in English and the other in Hindi.
In 1936, Sahni married Damayanti and settled in Santiniketan, West Bengal, where he took up the job of an English and Hindi professor. The couple were theatre enthusiasts and actively participated in plays produced by famous theatre group — Indian People’s Theatre Association. This is where, Sahni first got bitten by the acting bug, and a few years later, by the 1940s, he found himself in Mumbai looking for roles in Hindi films. His debut in films began with Insaaf and Dharti ke Laal in 1946, while Damayanti also made her debut in the same year in Door Chalein.
Do Bigha Zamin
It wasn’t until Do Bigha Zamin (1953) that Sahni got noticed and appreciated for his acting ability. The rest, as they say, is history.
Directed by Bimal Roy, Do Bigha Zamin was an openly socialist film and is considered to be one of those movies that initiated the parallel cinema movement.
Sahni played the role of a poor farmer who was forced to migrate to Calcutta (now Kolkata) to become a rickshaw-puller to make enough money to save his land from the clutches o